Frozen Toothpaste

Born into Brothels is about children growing up in a red light district in Calcutta (now Kolkatta), India. What I wasn’t expecting is the extensive amount of outside intervention that is really the story of the film. Some would see this as an intolerable rebuke of the documentarian’s principal directive: to document. This is to […]

Lake of Fire is filmed in black of white. It’s worth noting that like all films we term “black and white,” its actually rendered in various shades of grey. And Tony Kaye’s documentary about abortion in America is careful to show that the issue’s history and moral questions are not black and white.
Lake of Fire […]

In her 1964 essay — if one can call an enumerated list an essay — ”Notes on ‘Camp,’” Susan Sontag delineated what she called the Camp style. Though nearly every example she gives is obscure to me, the essential traits of camp are clear: it’s exaggerated, it’s methods overwhelm its message, and it thereby becomes a parody of itself.
“Raining […]

For the Bible Tells Me So, a recent documentary by Daniel Karslake is an interesting beast. Through at least the last twenty minutes, my eyes were wet and my nose was running. And though that’s surely a sign of something that’s emotionally resonant, I’m not without reservation in recommending it.
After the obligatory footage of traditional […]

Though I’m not in the habit of review relatively recent and well-known movies (that reason is articulated here), Ben Affleck’s directorial debut in Gone Baby Gone was so unexpected that I couldn’t ignore it. I, like the vast majority of people following along, have at times dismissed Mr. Affleck as a talentless hack who got […]